The authorities in India are envisaging to have a new parliament building by 2022 at Delhi, on completion of 75 years of independence.The latest design which is in the last stages of finalization includes a new triangular parliament building along with redeveloping the three kilometers long central vista.The current 100 years old unique circular parliament building will be retained as a museum.
It was King George V in 1911 who decided to shift the capital of colonial India-seat of Government- from Calcutta to Delhi.It was also decided to go for new Government buildings as appropriate to show case- for Indian natives than others- the might of colonial India, the erstwhile jewel of the British crown!They were eager to impress the Indian public with British superiority in science, art and civilization!Edwin Lutyens emerged as the chief architect of the project who picked up Herbert Baker, another professional architect and friend of his to complete the challenging task. That was in 1912.But strangely enough much before Lord Erwin,Viceroy opened the complex with much fanfare in 1927, the relationship between the two great architects had turned sour!!They were not even on talking terms till their deaths!!
However the giant, ambitious project was executed as per the detailed master plan which made Delhi proud of few magnificent buildings with European classical architecture, designed to outclass existing Hindu and Mughal structures but few years later came the controversy linked with Chausath Yogini, which still lingers with the parliament building.....that it is inspired from an Indian temple architecture!!It would be interesting to scroll down those anecdotes once again which are not known to most when an independent India celebrates her diamond jubilee of freedom.......
Models of parliament buildings- old and new
The background of selection of design team
Immediately after the decision was made to have a new capital at Delhi, a town planning committee was formed to finalize details on the new city to be emerged.It comprised of Edwin Lutyens as Chief architect,John A Broadie as Chief Engineer and GSC Swinton, an expert on municipal issues as chairman- limited to three members. This committee was approved by the King of England in 1912 with whom the trio had a meeting before proceeding to India. Shajahanabad, a 17th century Mughal city near Delhi was the site for initial consideration which was later replaced to Raisina Hill, a rocky outcrop those days.
It was agreed to pay Lutyens, 5% of the total cost of the mammoth project, which ultimately costed Rupees 13 crores, hundred years back.It was Lutyens who hired the services of Herbert Baker, a professional senior friend of his into the picture.It is understood that the town planning committee had considered Baker before Lutyens as chief but for some unknown reason-almost a mystery- favored Lutyens as chief architect under a condition to hire Baker's services by Lutyens so as to bring rich professional exposures of Baker also into the drawing board.
On the drawing board.....
Both architects were known to have imperialistic outlook- tastes for European design styles over Indian architecture.I don't know how many Indians know the fact that particularly Lutyens looked down on anything Indian- people,culture or architecture.On persuasion of the Viceroy then Lord Hardinge -more could be a political tact than love for India- the architects finally agreed to add few Indian motifs to the buildings designed exclusively otherwise on western classical architecture.Red stone which was Indian, was decided to be used. Indian motifs were limited to perforated screens,eaves, canopies and the like.Elephant heads were placed on pillars.Even some of the motifs of Buddhist pagodas were used.
Lutyens' Bakerloo..
As the designs progressed, the rift in ideas of both architects started surfacing.Baker was known to have in his mind initially a design of equilateral triangle in plan for parliament building.But Lutyens made him change to circular as it looked now.It is interesting to note that the new proposed parliament building is in triangular in shape!!
Lutyens wanted his Government House to be located at the highest point which was atop Raisina Hill so that it would dominate over other buildings where as Baker wanted his Secretariat buildings instead.Baker convinced Lutyens once and got his agreement but later Lutyens regretted his decision and wanted Baker to revoke it.But it never materialized.
Thus as the project progressed the major difference of opinion between them continued to reflect on the gradient of the main vista.As one looks at the Raisina Hill buildings from India Gate, only the dome of Rashtrapati Bhavan- not the main building- is seen as in the photo up.Lutyens wanted to avoid such a scenario at any costs while Baker insisted on it in spite Lutyens approached the King himself!It ended up in a professional ego clash which affected their personal relations-Lutyens' Bakerloo as he noted down later!
Finally the finished city was completed in 1931.The British could use the new facilities only 16 years out of 200 years of their rule as India got the freedom in 1947.Later Nikolaus Pevner, the world famous British architectural historian aptly remarked about it as "Five minutes before closing time!"
Chausath Yogini temple....
Tail Piece...Edwin Lutyens the racist!Emily Lutyens the India lover!!
A bust of Lutyens was erected inside the Viceroy's residence by Lord Mountbatten which is kept as it is in Rashtrapati Bhavan to this day.No doubt Lutyens gave India an excellent world class building but at the same time he was a known racist,I repeat,something Indians may not be aware of.An incorrigible India hater but a gifted architect.I don't know whether it is logical to keep a bust of Lutyens there any more.That is one way of looking at it. A good percentage of Indians themselves were racists among our own society hundred years back!That is another perspective.I would have removed his bust there or anywhere in India for that matter given an opportunity but at the same time kept his name written boldly on a plaque!!You may conclude with your own choice!!
Photos:courtesy HCP Designs/google
However the giant, ambitious project was executed as per the detailed master plan which made Delhi proud of few magnificent buildings with European classical architecture, designed to outclass existing Hindu and Mughal structures but few years later came the controversy linked with Chausath Yogini, which still lingers with the parliament building.....that it is inspired from an Indian temple architecture!!It would be interesting to scroll down those anecdotes once again which are not known to most when an independent India celebrates her diamond jubilee of freedom.......
Models of parliament buildings- old and new
The background of selection of design team
Immediately after the decision was made to have a new capital at Delhi, a town planning committee was formed to finalize details on the new city to be emerged.It comprised of Edwin Lutyens as Chief architect,John A Broadie as Chief Engineer and GSC Swinton, an expert on municipal issues as chairman- limited to three members. This committee was approved by the King of England in 1912 with whom the trio had a meeting before proceeding to India. Shajahanabad, a 17th century Mughal city near Delhi was the site for initial consideration which was later replaced to Raisina Hill, a rocky outcrop those days.
It was agreed to pay Lutyens, 5% of the total cost of the mammoth project, which ultimately costed Rupees 13 crores, hundred years back.It was Lutyens who hired the services of Herbert Baker, a professional senior friend of his into the picture.It is understood that the town planning committee had considered Baker before Lutyens as chief but for some unknown reason-almost a mystery- favored Lutyens as chief architect under a condition to hire Baker's services by Lutyens so as to bring rich professional exposures of Baker also into the drawing board.
On the drawing board.....
It was agreed between the two architects that Lutyens will design Government House- which later became Viceroy's residence and then Rashtrapti Bhavan(President's palace) as known today and overall layout of the city.Baker will design the twin secretariats- South and North blocks- and Council House ( parliament building).
Lutyens' Bakerloo..
As the designs progressed, the rift in ideas of both architects started surfacing.Baker was known to have in his mind initially a design of equilateral triangle in plan for parliament building.But Lutyens made him change to circular as it looked now.It is interesting to note that the new proposed parliament building is in triangular in shape!!
Lutyens wanted his Government House to be located at the highest point which was atop Raisina Hill so that it would dominate over other buildings where as Baker wanted his Secretariat buildings instead.Baker convinced Lutyens once and got his agreement but later Lutyens regretted his decision and wanted Baker to revoke it.But it never materialized.
Thus as the project progressed the major difference of opinion between them continued to reflect on the gradient of the main vista.As one looks at the Raisina Hill buildings from India Gate, only the dome of Rashtrapati Bhavan- not the main building- is seen as in the photo up.Lutyens wanted to avoid such a scenario at any costs while Baker insisted on it in spite Lutyens approached the King himself!It ended up in a professional ego clash which affected their personal relations-Lutyens' Bakerloo as he noted down later!
Finally the finished city was completed in 1931.The British could use the new facilities only 16 years out of 200 years of their rule as India got the freedom in 1947.Later Nikolaus Pevner, the world famous British architectural historian aptly remarked about it as "Five minutes before closing time!"
Chausath Yogini temple....
Did the temple near Gwalior in the state of Madhya Pradesh(MP) inspire the architecture of parliament building by Lutyens and Baker?This temple built in 1055 AD devoted to Lord Shiva by a local dynasty stands loud even today atop a small hill. Chausath means 64 and the outer circular wall has 64 small chambers where as the parliament building has 144 pillars.As it is strikingly similar in looks,many Indians logically think that the temple might have given a spark to the British architects.
I have gone through the historical documents on this issue and found that neither Lutyens or Baker had ever noted down that this temple had inspired them.At the same time European architecture - something Lutyens and Baker had specialized in- never boasted of a circular building of repute other than Colosseum at Rome which was built in 80 AD.
Tail Piece...Edwin Lutyens the racist!Emily Lutyens the India lover!!
A bust of Lutyens was erected inside the Viceroy's residence by Lord Mountbatten which is kept as it is in Rashtrapati Bhavan to this day.No doubt Lutyens gave India an excellent world class building but at the same time he was a known racist,I repeat,something Indians may not be aware of.An incorrigible India hater but a gifted architect.I don't know whether it is logical to keep a bust of Lutyens there any more.That is one way of looking at it. A good percentage of Indians themselves were racists among our own society hundred years back!That is another perspective.I would have removed his bust there or anywhere in India for that matter given an opportunity but at the same time kept his name written boldly on a plaque!!You may conclude with your own choice!!
In this context, I think I cant but write about Emily Lutyens, wife of Edwin Lutyens. Emily happens to be daughter of Robert B lytton, Viceroy Of India 1876-80.While Edwin Lutyens hated anything Indian,strangely enough Emily loved India, Indian culture and mixed with Indians!She was an admirer of J Krishnamurthy,the famous Indian philosopher.She was a friend of Annie Besant and joined her Theosophical Society in 1910.From the fact that Emily became a strict vegetarian shows how much India had influenced her!In 1916 Emily was boldly conducting meetings in her London drawing room, favoring Home Rule Movement of India 1916-18 which set the stage of Independence movement under Annie Besant and Bal Gangadhar Tilak , much ahead of Gandhi who came to the scene much later.
It is a non pardonable, paradoxical irony that Indians have forgotten Emily Lutyens completely, while the bust of Edwin Lutyens is kept in the President's Palace!!
Photos:courtesy HCP Designs/google
G KUTTY: A matter of fact write up..Good!
ReplyDeleteJOPEN :Have studied in history classes about these buildings bout not in detail.Thank you for the detailed info.
ReplyDeleteNAIR: ππ
ReplyDeleteYou're excavating knowledge on the subject is distinctive. Appreciable indeed and my salute to you.
ReplyDeleteMY OBSERVATIONS:
1. I think Yogini Temple's architectural excellence might have definitely influenced Edwin Luteyens to glorify his construction.
2. It is an undisputed fact Luteyens gave India an immaculate, excellent and exhilarating building laced with Architectural ecstasy. In view of this, I feel Lutyene is to be recognized and remembered. Of course, Emly Luteyens is also to be remembered for her invaluable contribution at various levels......NAIR
SHOBHA MURALI:Very informative....had heard Arnab Godwami of Republic TV refer to Lutyens group in Delhi with their noses up in the air but never knew the entire story....Thank you Jaison
ReplyDeleteVery informative and details that I never knew or appreciated. Thank you Sir.
ReplyDeleteExcellent....
ReplyDeleteNAINA NIMBALKAR: Very interesting and informative!Lutyens is made famous more by the lobby which Arnab keeps yelling about.
ReplyDeleteJEYESH MEHTA:
ReplyDeleteI read the post.....did not know the history of these structural till today!!I believe that Lutyens bust should be removed ....still surprised as to why we still have the Mughal and the British era names etched in many places....
ππΌπ REEBA THOMAS
ReplyDeleteTHOMAS ABRAHAM :Excellent!
ReplyDeleteWell selected topic to muse...on
ReplyDeleteJOMY JOSEPH
Mr Jaison Chacko has once again surprised all with his new unique subject of the architectural history of the Indian parliament and Rashtrapati Bhavan. As usual his blogs are a result of intensive and sincere research which makes reading an intellectual treat. Though Lutyens or Baker , had they been alive today would not have accepted the influence of Indian Architecture, still it is standing tall to prove otherwise, that it has been heavily influenced by the Chausath temple of Madhya pradesh. The hegemony between the chief architect Lutyens and Baker has been nicely described by him which makes an interesting reading. He is not hiding his nationalistic spirit when he writes about his anguish of keeping his statue, Lutyens being a racist and anti Indian spirit . On the other hand he remembers and lauds Lutyens wife who loved India very much to the extent of being a party for Indian independence struggle alongside Annie Besant and Balagangadhar Tilak, even though she was a daughter of a former viceroy to India. Finally when we are planning to build a new parliament to show case our pride and prestige and that too probably in a triangular shape this article is very much timely and worth reading. Due to the fear of space limiting my comments. KAILASNATHAN
ReplyDeleteWell researched article.Well written!! R MADHAVANKUTTY
ReplyDeletekramp
ReplyDeleteJaisonchettan, I really appreciate your patience to go deep into history, even though you are not a historian. Well written article.
ReplyDeleteJaison has reminded the history of parliament building built during British rule.President’s building, North block , south block etc were built by architects getting inspiration from Indian architecture. Our temples and palaces are monuments which surprised architects world over even today. Ajantha caves and Ellora temples inAurangabad, and a number of other temples in various states mainly carved from solid rock thousands of years ago remain as surprises even today . Jaison’s writings are relevant now when new parliament building got constructed and from parliamentarians assemble there π
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ReplyDeleteΠΡΠΎΠ΄ΡΠΊΡΠΈΡ Π±ΡΠΈΡΠ²Ρ gillette ΠΊΡΠΏΠΈΡΡ ΠΎΠΏΡΠΎΠΌ, ΡΡΠΎ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΡΠΏΠΎΡΠΎΠ± ΠΎΡΠΊΡΡΡΡ ΡΠ²ΠΎΠΉ Π±ΠΈΠ·Π½Π΅Ρ. ΠΠΎΡΡΠΎΡΠ½Π½ΡΠ΅ Π°ΠΊΡΠΈΠΈ Π½Π° Π±ΡΠΈΡΠ²Ρ Π΄ΠΆΠΈΠ»Π΅Ρ ΡΡΡΠΆΠ΅Π½ ΠΏΡΠΎΠ³Π»Π°ΠΉΠ΄. Π‘ΡΠ΅Π΄ΡΡΠ²Π° Π΄Π»Ρ Π±ΡΠΈΡΡΡ ΡΡΠΈΠΌΠΌΠ΅Ρ-Π»Π΅Π·Π²ΠΈΠ΅ fusion ΠΏΡΠ°ΠΊΡΠΈΡΠ½ΡΠ΅ Π½Π°Π±ΠΎΡΡ gillette ΠΊΡΠΏΠΈΡΡ ΠΎΠΏΡΠΎΠΌ ΠΏΠΎ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΠΎΠΈΠΌΠΎΡΡΠΈ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ. Π‘ΠΏΠ΅ΡΠΈΡΠ΅ ΠΊΡΠΏΠΈΡΡ Π»Π΅Π·Π²ΠΈΡ gillette mach3, ΡΡΠ°Π½ΠΊΠΈ Π΄Π»Ρ Π±ΡΠΈΡΡΡ Π΄ΠΆΠΈΠ»Π»Π΅Ρ ΡΡΡΠΆΠ΅Π½ ΠΏΠΎΠ²Π΅Ρ, Π° ΡΠ°ΠΊΠΆΠ΅ Π»ΡΠ±ΠΎΠΉ Π΄ΡΡΠ³ΠΎΠΉ ΠΏΡΠΎΠ΄ΡΠΊΡ Π»ΠΈΠ½Π΅ΠΉΠΊΠΈ Π΄ΠΆΠΈΠ»Π΅Ρ ΠΌΠ°ΠΊ 3 ΠΏΠΎ ΠΎΠΏΡΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΠΎΠΈΠΌΠΎΡΡΠΈ!. Π₯ΠΈΡ ΠΏΡΠΎΠ΄Π°ΠΆ ΠΎΠ΄Π½ΠΎΡΠ°Π·ΠΎΠ²ΡΠ΅ Π±ΡΠΈΡΠ²Π΅Π½Π½ΡΠ΅ ΡΡΠ°Π½ΠΊΠΈ gillette venus.
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ReplyDeleteΠ±Π°ΡΠ°Π½ΠΈΠ½Π° Π΄Π»Ρ ΡΠΎΠ±Π°ΠΊ Π·Π°Π½ΠΈΠΌΠ°Π΅Ρ Π·Π½Π°ΡΠΈΠΌΠΎΠ΅ ΠΌΠ΅ΡΡΠΎ Π² ΠΈΡ Π΄ΠΈΠ΅ΡΠ΅. Π€ΠΎΠ½ΡΠ°Π½ ΠΏΡΠΎΡΠ΅ΠΈΠ½Π° ΠΈ Fe, ΠΎΠ½Π° ΠΏΠΎΠΌΠΎΠ³Π°Π΅Ρ ΠΊ ΡΠ»ΡΡΡΠ΅Π½ΠΈΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π° ΡΠ΅ΡΡΡΠΈ ΠΈ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°Π΅Ρ Π·Π΄ΠΎΡΠΎΠ²ΡΠ΅ ΠΈΡ ΠΌΡΡΡ. ΠΠΎ, ΠΏΡΠΈ Π²Π²Π΅Π΄Π΅Π½ΠΈΠΈ ΡΡΠΎΠ³ΠΎ ΠΏΡΠΎΠ΄ΡΠΊΡΠ° Π² ΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΏΠΈΡΠΎΠΌΡΠ°, Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ ΡΡΠΈΡΡΠ²Π°ΡΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΠΉ Π°Π»Π»Π΅ΡΠ³ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠ΅Π°ΠΊΡΠΈΠΈ ΠΈ ΠΌΠ΅Π΄Π»Π΅Π½Π½ΠΎ Π²Π»ΠΈΠ²Π°ΡΡ Π΅Ρ Π² ΡΠ°ΡΠΈΠΎΠ½ ΠΏΠΈΡΠ°Π½ΠΈΡ, Π½Π°ΡΠΈΠ½Π°Ρ Ρ ΠΌΠ°Π»ΡΡ ΠΏΠΎΡΡΠΈΠΉ. ΠΠΎΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΡΠ½ΠΎ, ΠΎΡΠ΅Π½Ρ Π½ΡΠΆΠ½ΠΎ ΠΎΠ±ΡΠ°ΡΠ°ΡΡ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ Π½Π° ΡΠΎΡΡ Π±Π°ΡΠ°Π½ΠΈΠ½Ρ, ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Π½ΠΎΠΉ Π΄Π»Ρ ΡΠΏΠΎΡΡΠ΅Π±Π»Π΅Π½ΠΈΡ ΡΠΎΠ±Π°ΠΊΠ°ΠΌΠΈ, Π²Π²ΠΈΠ΄Ρ ΡΠΎΠ³ΠΎ, ΡΡΠΎ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠΉ ΠΏΡΠΎΠ΄ΡΠΊΡ ΠΌΠΈΠ½ΠΈΠΌΠΈΠ·ΠΈΡΡΠ΅Ρ ΡΠΈΡΠΊΠΈ ΠΏΠΈΡΠ΅Π²ΠΎΠ³ΠΎ ΠΎΡΡΠ°Π²Π»Π΅Π½ΠΈΡ ΠΈ Π΄ΡΡΠ³ΠΈΡ Π·Π°Π±ΠΎΠ»Π΅Π²Π°Π½ΠΈΠΉ. Π’Π°ΠΊΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ, Π±Π°ΡΠ°Π½ΠΈΠ½Π° ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ Π·Π΄ΠΎΡΠΎΠ²ΡΠΌ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠΌ ΡΠ°ΡΠΈΠΎΠ½Π° Π²Π°ΡΠ΅ΠΉ ΡΠΎΠ±Π°ΠΊΠΈ, ΠΊΠΎΠ³Π΄Π° ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΈΡΡ ΠΊ Π΅Ρ ΠΏΡΠΈΠΌΠ΅Π½Π΅Π½ΠΈΡ Ρ ΡΠΌΠΎΠΌ ΠΈ Π²Π½ΠΈΠΌΠ°Π½ΠΈΠ΅ΠΌ.
ReplyDeleteΠΡΡΠΎ Π΄Π»Ρ ΡΠΎΠ±Π°ΠΊ - Π³Π»Π°Π²Π½ΡΠΉ ΡΠΎΡΡΠ°Π²Π»ΡΡΡΠ°Ρ ΠΈΡ ΡΠ°ΡΠΈΠΈ. ΠΡΠΎ Π²Π°ΠΆΠ½ΠΎ Π΄Π»Ρ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠ°Π½ΠΈΡ Π·Π΄ΠΎΡΠΎΠ²ΡΡ ΠΈ ΡΠ½Π΅ΡΠ³ΠΈΠΈ Π»ΡΠ±ΠΈΠΌΡΠ΅Π². ΠΡΡΠΎ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°Π΅Ρ Π±Π΅Π»ΠΊΠΈ, Π½Π΅Π·Π°ΠΌΠ΅Π½ΠΈΠΌΡΠ΅ Π΄Π»Ρ ΡΡΡΠΎΠ΅Π½ΠΈΡ ΠΌΡΡΡ. Π’Π°ΠΊΠΆΠ΅, ΠΎΠ½ΠΎ ΡΠΎΠ΄Π΅ΡΠΆΠΈΡ ΠΆΠΈΡΠ½ΡΠ΅ ΠΊΠΈΡΠ»ΠΎΡΡ, ΡΠΈΡΠΎΠ½ΡΡΡΠΈΠ΅Π½ΡΡ ΠΈ ΠΌΠΈΠ½Π΅ΡΠ°Π»Ρ, ΠΊΠ°ΠΊΠΈΠ΅ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΈΠ²Π°ΡΡ ΡΠΈΠ»ΡΠ½ΡΡ ΡΠΊΡΡΡ, ΠΌΠ΅Ρ ΠΈ ΠΎΠ±ΡΠ΅Π΅ ΡΠΎΡΡΠΎΡΠ½ΠΈΠ΅ Π·Π΄ΠΎΡΠΎΠ²ΡΡ. ΠΡΠ±ΠΈΡΠ°ΡΡ ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅Π½Π½ΠΎΠ΅ ΠΡΡΠΎ Π΄Π»Ρ ΡΠΎΠ±Π°ΠΊ – Π·Π°Π»ΠΎΠ³ ΠΊ Π΄ΠΎΠ»Π³ΠΎΠΉ ΠΆΠΈΠ·Π½ΠΈ Π²Π°ΡΠ΅Π³ΠΎ ΠΏΠΈΡΠΎΠΌΡΠ°.
ReplyDeleteΠΡΠΈΠΎΠ±ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΡΠ΅ΡΠΊΠΈΡ Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠΎΠ² Π±Π΅Π· Π·Π°Π²Π΅ΡΡΠ΅Π½ΠΈΡ ΠΎΠ±ΡΡΠ΅Π½ΠΈΡ ΡΠ²Π»ΡΠ΅ΡΡΡ Π½Π΅Π·Π°ΠΊΠΎΠ½Π½ΡΠΌ Π΄Π΅ΡΠ½ΠΈΠ΅ΠΌ. Π’Π°ΠΊΠΈΠ΅ Π΄Π΅ΠΉΡΡΠ²ΠΈΡ ΠΌΠΎΠ³ΡΡ ΠΏΠΎΠ²Π»Π΅ΡΡ ΡΠ΅ΡΡΠ΅Π·Π½ΡΠΌ ΡΡΠΈΠ΄ΠΈΡΠ΅ΡΠΊΠΈΠΌ ΠΏΠΎΡΠ»Π΅Π΄ΡΡΠ²ΠΈΡΠΌ, Π²ΠΊΠ»ΡΡΠ°Ρ Π²Π·ΡΡΠΊΠ°Π½ΠΈΡ ΠΈ ΠΎΡΠ±ΡΡΠΈΠ΅ ΡΠ²ΠΎΠ±ΠΎΠ΄Ρ. ΠΡΠΏΠΈΡΡ Π΄ΠΈΠΏΠ»ΠΎΠΌ ΠΎ Π²ΡΡΡΠ΅ΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΠΈ - ΡΠΈΡΠΊΠΎΠ²Π°Π½Π½ΡΠΉ ΡΠ°Π³, ΠΊΠΎΡΠΎΡΡΠΉ ΡΡΠΎΠΈΡ ΠΎΠ±Π΄ΡΠΌΠ°ΡΡ.
ReplyDeleteHolenderskie Portale Randkowe bzyk randki
ReplyDeleteΠΈ, Π½Π΅ Π±ΡΠ΄Π΅ΠΌ Π·Π°Π±ΡΠ²Π°ΡΡ, ΡΠΎΠΌΠ½Π΅Π²Π°Π»ΠΈΡΡ, ΠΎΠΊΠ°ΠΆΠ΅ΡΡΡ Π»ΠΈ Π·Π°ΠΊΠ°Π·Π°Π½Π½ΡΠΉ ΠΊΠΎΡΠΎΡΠΊΠΈ Π½Π°ΡΡΠΎΡΡΠΈΠΌ, ΠΡΠΏΠΈΡΡ Π΄ΠΈΠΏΠ»ΠΎΠΌ Π² ΠΠ½Π°ΠΏΠ΅ ΠΎ Π²ΡΡΡΠ΅ΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°Π½ΠΈΠΈ Π±Π΅Π· ΠΏΡΠ΅Π΄ΠΎΠΏΠ»Π°ΡΡ ΠΏΡΠΎΠΉΠ΄Π΅Ρ Π»ΠΈ Π²ΡΠ΅ Π½ΡΠΆΠ½ΡΠ΅ ΠΏΡΠΎΠ²Π΅ΡΠΊΠΈ ΠΈ Π½Π΅ ΠΎΠ±ΠΌΠ°Π½Π΅Ρ Π»ΠΈ ΠΊΠΎΠΌΠΏΠ°Π½ΠΈΡ-ΠΏΡΠΎΠ΄Π°Π²Π΅Ρ.
ReplyDeleteexcel ΠΊΡΡΡΡ ΠΎΠ½Π»Π°ΠΉΠ½
ReplyDeleteΠΊΠΎΠ²ΡΡ Π½Π΅Π΄ΠΎΡΠΎΠ³ΠΎ
ReplyDeleteΠΊΡΠΏΠΈΡΡ ΠΏΠΌ ΡΡΠ°Π²ΠΌΠ°Ρ
ReplyDeleteΠ°ΠΊΡΠΈΠ²Π°ΡΠΎΡ ΠΎΡΠΈΡ Π΄Π»Ρ Π²ΠΈΠ½Π΄ΠΎΠ²Ρ 11
ReplyDeleteΠ΄Π΅Π½ΡΠ³ΠΈ Π½Π° ΠΊΠ°ΡΡΡ Π·Π°ΠΉΠΌ ΠΎΠ½Π»Π°ΠΉΠ½
ReplyDeleteΠΏΠΎΡΠ΅ΡΠΏΠ΅Π²ΡΠ°Ρ Π―ΠΊΠΎΠ²Π»Π΅Π²Π°
ReplyDeleteFilm Johnny Vod felix net i nika film vod
ReplyDeleteΠ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΠΎΠΌ ΠΌΠΈΡΠ΅, Π³Π΄Π΅ ΡΠΈΡΡΠΎΡΠ° ΠΈΠ³ΡΠ°Π΅Ρ Π²Π°ΠΆΠ½ΡΡ ΡΠΎΠ»Ρ Π² ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠ΅Π½ΠΈΠΈ Π·Π΄ΠΎΡΠΎΠ²ΡΡ Π»ΡΠ΄Π΅ΠΉ, ΡΡΠ»ΡΠ³ΠΈ ΠΏΠΎ Π΄Π΅Π·ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡ Π·Π°ΠΊΠ°Π·Π°ΡΡ Π°Π³Π΅ΡΠΈΡ.ΡΡ ΡΡΠ°Π½ΠΎΠ²ΡΡΡΡ Π²ΡΡ Π±ΠΎΠ»Π΅Π΅ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠΌΠΈ. ΠΡΠΎ Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ Π΄Π»Ρ Π±ΠΎΡΡΠ±Ρ ΠΎΡ ΠΎΠΏΠ°ΡΠ½ΡΡ Π½Π°ΡΠ΅ΠΊΠΎΠΌΡΡ , ΡΠ°ΠΊΠΈΡ ΠΊΠ°ΠΊ ΠΊΠ»ΠΎΠΏΡ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΠΏΠ΅ΡΠ΅Π½ΠΎΡΡΠΈΠΊΠ°ΠΌΠΈ ΠΌΠ½ΠΎΠ³ΠΎΡΠΈΡΠ»Π΅Π½Π½ΡΡ Π·Π°Π±ΠΎΠ»Π΅Π²Π°Π½ΠΈΠΉ. ΠΠ²Π°Π»ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½Π°Ρ Π΄Π΅Π·ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°Π΅Ρ Π³Π»ΡΠ±ΠΎΠΊΡΡ ΠΎΡΠΈΡΡΠΊΡ, ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡ ΠΏΠ΅ΡΠ΅Π΄ΠΎΠ²ΡΠ΅ ΡΠ΅Ρ Π½ΠΎΠ»ΠΎΠ³ΠΈΠΈ ΠΈ Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½ΡΠ΅ ΠΏΡΠ΅ΠΏΠ°ΡΠ°ΡΡ, ΡΡΠΎ Π³Π°ΡΠ°Π½ΡΠΈΡΡΠ΅Ρ Π·Π΄ΠΎΡΠΎΠ²ΡΠ΅ ΠΎΠ±ΠΈΡΠ°ΡΠ΅Π»Π΅ΠΉ Π΄ΠΎΠΌΠ° ΠΈ Π²Π½Π΅ΡΠ½Π΅ΠΉ ΡΡΠ΅Π΄Ρ. ΠΠ°ΠΊΠ°Π·ΡΠ²Π°Ρ ΡΠ°ΠΊΡΡ ΡΡΠ»ΡΠ³Ρ, Π²Ρ ΡΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΎΡΠΈΡΡΠΈΡΡ ΡΠ²ΠΎΠΉ Π΄ΠΎΠΌ ΠΎΡ Π²ΡΠ΅Π΄ΠΎΠ½ΠΎΡΠ½ΡΡ Π³ΠΎΡΡΠ΅ΠΉ, ΡΠ»ΡΡΡΠΈΠ² ΡΡΠ»ΠΎΠ²ΠΈΡ ΡΠ²ΠΎΠ΅Π³ΠΎ ΠΆΠΈΠ»ΠΈΡΠ° ΠΈ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°Ρ ΡΠΏΠΎΠΊΠΎΠΉΡΡΠ²ΠΈΠ΅ ΠΈ Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½ΠΎΡΡΡ ΡΠ΅Π±Π΅ ΠΈ ΡΠ²ΠΎΠ΅ΠΉ ΡΠ΅ΠΌΡΠ΅. ΠΠ΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ ΠΏΠΎΠ½ΠΈΠΌΠ°ΡΡ, ΡΡΠΎ ΡΠΎΠ»ΡΠΊΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠ΅ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΡ ΠΌΠΎΠ³ΡΡ ΡΡΡΠ΅ΠΊΡΠΈΠ²Π½ΠΎ ΠΏΡΠΎΠ²Π΅ΡΡΠΈ Π΄Π΅Π·ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡ, Π²ΡΠ±ΡΠ°Π² ΠΎΠΏΡΠΈΠΌΠ°Π»ΡΠ½ΡΠ΅ ΠΌΠ΅ΡΠΎΠ΄Ρ ΠΈ ΡΡΠ΅Π΄ΡΡΠ²Π° Π΄Π»Ρ ΡΠΏΠ΅ΡΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΡΠ»ΡΡΠ°Ρ. ΠΡΠΎ ΠΈΡΠΊΠ»ΡΡΠΈΡ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π²ΠΎΠ·Π²ΡΠ°ΡΠ΅Π½ΠΈΡ Π½Π°ΡΠ΅ΠΊΠΎΠΌΡΡ Π² Π±ΡΠ΄ΡΡΠ΅ΠΌ ΠΈ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΡ Π΄ΠΎΠ»Π³ΠΎΡΡΠΎΡΠ½ΡΠΉ ΡΠ΅Π·ΡΠ»ΡΡΠ°Ρ. Π’Π°ΠΊΠΈΠΌ ΠΎΠ±ΡΠ°Π·ΠΎΠΌ, Π΄Π΅Π·ΠΈΠ½ΡΠ΅ΠΊΡΠΈΡ Π·Π°ΠΊΠ°Π·Π°ΡΡ - ΡΡΠΎ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ Π΄Π»Ρ ΡΠ΅Ρ , ΠΊΡΠΎ ΡΠ΅Π½ΠΈΡ ΡΠ²ΠΎΡΠΌ Π·Π΄ΠΎΡΠΎΠ²ΡΠ΅ ΠΈ ΠΊΠΎΠΌΡΠΎΡΡΠ΅, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΆΠ΅Π»Π°Π΅Ρ ΠΆΠΈΡΡ Π² Π±Π΅Π·ΠΎΠΏΠ°ΡΠ½ΠΎΠΉ ΡΡΠ΅Π΄Π΅.
ReplyDeleteFilmy BezpΕatne Vod buntownik z wyboru vod
ReplyDeleteΠΡΠΎΠ΄ΡΠΊΡΠΈΡ ΡΠΌΠ΅Π½Π½ΡΠ΅ ΠΊΠ°ΡΡΠ΅ΡΡ gillette ΠΊΡΠΏΠΈΡΡ ΠΎΠΏΡΠΎΠΌ, ΡΡΠΎ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΡΠΏΠΎΡΠΎΠ± Π½Π°ΡΠ°ΡΡ ΡΠ²ΠΎΠ΅ Π΄Π΅Π»ΠΎ. ΠΠΎΡΡΠΎΡΠ½Π½ΡΠ΅ Π°ΠΊΡΠΈΠΈ Π½Π° ΡΠΌΠ΅Π½Π½ΡΠ΅ ΠΊΠ°ΡΡΠ΅ΡΡ fusion proglide. Π‘ΡΠ΅Π΄ΡΡΠ²Π° Π΄Π»Ρ Π±ΡΠΈΡΡΡ Π»Π΅Π·Π²ΠΈΠ΅ fusion ΡΡΠ½ΠΊΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΠ΅ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΡ gillette ΠΊΡΠΏΠΈΡΡ ΠΎΠΏΡΠΎΠΌ ΠΏΠΎ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΠΎΠΈΠΌΠΎΡΡΠΈ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ. ΠΠ΅ ΡΠΏΡΡΡΠΈΡΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ Π·Π°ΠΊΠ°Π·Π°ΡΡ Π»Π΅Π·Π²ΠΈΡ Π΄ΠΆΠΈΠ»Π΅Ρ mach3, ΡΡΠ°Π½ΠΊΠΈ Π΄Π»Ρ Π±ΡΠΈΡΡΡ Π΄ΠΆΠΈΠ»Π΅Ρ ΠΌΠ°ΠΊ 3 ΡΡΡΠ±ΠΎ, Π° ΡΠ°ΠΊΠΆΠ΅ Π»ΡΠ±ΠΎΠΉ Π΄ΡΡΠ³ΠΎΠΉ ΠΏΡΠΎΠ΄ΡΠΊΡ ΡΠ΅ΡΠΈΠΈ gillette mach 3 ΠΏΠΎ ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΉ Π²ΡΠ³ΠΎΠ΄ΠΎΠΉ ΡΡΠΎΠΈΠΌΠΎΡΡΠΈ!. ΠΡΠ΅Π³Π΄Π° Π² Π½Π°Π»ΠΈΡΠΈΠΈ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠ΅ ΠΎΠ΄Π½ΠΎΡΠ°Π·ΠΎΠ²ΡΠ΅ ΡΡΠ°Π½ΠΊΠΈ Π΄Π»Ρ Π±ΡΠΈΡΡΡ gillette venus.
ReplyDeleteΠΡΠΎΠ΄ΡΠΊΡΠΈΡ ΡΡΠ΅ΠΌΠ½ΡΠ΅ ΠΊΠ°ΡΡΠ΅ΡΡ gillette ΠΊΡΠΏΠΈΡΡ ΠΎΠΏΡΠΎΠΌ, ΡΡΠΎ ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΡΠΏΠΎΡΠΎΠ± Π½Π°ΡΠ°ΡΡ ΡΠ²ΠΎΠ΅ Π΄Π΅Π»ΠΎ. ΠΠΎΡΡΠΎΡΠ½Π½ΡΠ΅ ΡΠΊΠΈΠ΄ΠΊΠΈ Π½Π° ΡΠΌΠ΅Π½Π½ΡΠ΅ ΠΊΠ°ΡΡΠ΅ΡΡ gillette fusion proglide. Π‘ΡΠ΅Π΄ΡΡΠ²Π° Π΄Π»Ρ Π±ΡΠΈΡΡΡ Π»Π΅Π·Π²ΠΈΠ΅ fusion ΠΏΡΠ°ΠΊΡΠΈΡΠ½ΡΠ΅ ΠΊΠΎΠΌΠΏΠ»Π΅ΠΊΡΡ gillette ΠΊΡΠΏΠΈΡΡ ΠΎΠΏΡΠΎΠΌ ΠΏΠΎ ΠΌΠΈΠ½ΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΉ ΡΡΠΎΠΈΠΌΠΎΡΡΠΈ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ. ΠΡΠ»ΠΈΡΠ½Π°Ρ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΊΡΠΏΠΈΡΡ Π»Π΅Π·Π²ΠΈΡ Π΄ΠΆΠΈΠ»Π΅Ρ mach3, ΡΡΠ°Π½ΠΊΠΈ Π΄Π»Ρ Π±ΡΠΈΡΡΡ Π΄ΠΆΠΈΠ»Π»Π΅Ρ ΡΡΡΠΆΠ΅Π½ ΠΏΠΎΠ²Π΅Ρ, Π° ΡΠ°ΠΊΠΆΠ΅ Π»ΡΠ±ΠΎΠΉ Π΄ΡΡΠ³ΠΎΠΉ ΠΏΡΠΎΠ΄ΡΠΊΡ ΡΠ΅ΡΠΈΠΈ Π΄ΠΆΠΈΠ»Π΅Ρ ΠΌΠ°ΠΊ 3 ΠΏΠΎ ΠΎΠΏΡΠΈΠΌΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ΅Π½Π΅!. Π₯ΠΈΡ ΠΏΡΠΎΠ΄Π°ΠΆ ΠΎΠ΄Π½ΠΎΡΠ°Π·ΠΎΠ²ΡΠ΅ Π±ΡΠΈΡΠ²Π΅Π½Π½ΡΠ΅ ΡΡΠ°Π½ΠΊΠΈ gillette blue 2.
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